Gary Reese wrote:
>I find I often don't filter shaded scenes. Rather, I use Velvia. Gives it
>the warming punch of a 81B, although no where near as strong as a 81EF.
I find that a high saturation film such as Velvia appears to *intensify* the
blue of the shade under blue sky. While it is a 'warm' emulsion, it seems
that it requires 81 filtration more often when under such conditions for
this reason, IMHO. Has anyone else found this to be the case?
Simon E.
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