Re: [OM] many thanks ...
are we talking stupid investment when a 135mm f2.8 is an equally
usable "stage lens"?
Since the 135mm f2.8 is a very good lens it would be difficult IMHO to
justify the 180 for this purpose, as it's at *least* 3 or 4x the price.
Unless you're rich or you're a Zuikoholic in the T. Scales tradition go for
the 135 - you can always get a 180 later if you find the need. 135mm has 55m
filter, against the 72mm of the big lens. Concern of theft or damage plus
bulk/weight factors would mean I'd choose to take the 135 into a crowded gig
venue, but then I own neither so take it as merely opinion.
Re: [OM] Forwarded mail....
On the subject of the Sigma 400 f5.6 APO, well I have one and use it
occasionally for motorcycle racing photography. I've found the images it has
produced to be quite good, but have never made any big enlargements. Since
they can be picked up for around £200/US$300 I'd suggest the person does so,
and then tests it to see if it is up to the job.
About the 24mm f2, subject was Re: [OM] many thanks ...
Some people like this lens, but Gary finds real problems with it, including
bad vignetting and noticeable waveform & barrel distortion. I find the f2.8
version to be plenty sharp enough. As Lex pointed out, if the person wants
the f2 version they'll buy it. I'd counter this with the suggestion that
skill can compensate for a 1-stop light loss, which is less critical with
wide angles than telephotos. If you're expecting superior optical
performance you're wasting money. If you're after the fastest lens at that
focal length then go for it. But why not try the 28 f2? It has better
optical figures and is also lighter and cheaper.
Simon E.
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