Kodak makes a special paper for this purpose, I can't remember what =
it is called. Problem is it must be handled in total darkness like color =
paper.
Neither Panalure nor color paper requires total darkness, it just seems that
way at first. Most commercial labs use sodium vapor safelights, can't
remember the name, and after a while, you get quite used to them, and in
fact, become almost catlike.
For that matter, black and white film can also stand a bit of safelight, for
those of us that have processed by inspection, and commercial film
processors use infrared lighting and video systems in the dark parts of
their labs.
(I remember as a child spending Saturday
mornings at the movie theatre, watching the El Nikkor serials),
If it's a joke, then predictably it went quite over my head; if not,
please explain what in the world an El Nikkor serial is. My Saturday
mornings were devoted to Flash Gordon, so I suppose I was a protected
youth :)
Now Billy, write on the blackboard 100 times, "I'll not try to be funny,
I'll not try to be funny, I'll not try to be funny...
Bill Pearce
< This message was delivered via the Olympus Mailing List >
< For questions, mailto:owner-olympus@xxxxxxxxxxxxxxx >
< Web Page: http://Zuiko.sls.bc.ca/swright/olympuslist.html >
|