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Re: [OM] Re: David Vestal and "Seeing the Photo"

Subject: Re: [OM] Re: David Vestal and "Seeing the Photo"
From: Tom@xxxxxxxxxxxxx
Date: Wed, 6 Feb 2002 18:36:12 -0500
On Thursday, February 07, 2002 at 0:01, T.Clausen@xxxxxxxxxxxx 
<olympus@xxxxxxxxxxxxxxx>
wrote re "Re: [OM] Re:  David Vestal and "Seeing the Photo"" saying:

> On Wed, 6 Feb 2002 DAVDOU9211@xxxxxxx wrote:
...
> > I wager that most of us who have OM-2 and OM-4, etc. use the auto mode
> > more than manual.  We can control depth of field and aperture while being
> > cognizant of the shutter speed that results from a given aperture setting.
> >  Thus, little if any math or detailed thought process regarding aperture
> > and shutter speed gets in the way of the "creative process".
> > 
> Actually, I think different - but maybe that's just me. The only thing
> that can make me jump into auto-mode on any of the cameras I own which
> have such a mode, is if I am using a flash and feel that TTL-flash might be
> sufficient. Otherwise, I actually find that I "think too much" trying to
> keep track of what the camera does. In fully-manual, I just "do", and can
> concentrate more on the "creativity"....
...
I find I only use auto if
        - the lighting of my pix is changing rapidly
        - it's very dark - exposures in seconds/minutes
        - OTF flash

Manual for a constant lighting condition makes prints & slides more 
consistent when printing or showing a bunch from the same scene. There's no 
surprises because a light source is in one photo and not another, or if the 
person's skin is black or white.

Spot for tricky lighting makes sure I capture everything (negative film) or 
place my highlights just so (slide film)

tOM
--------------- http://groups.yahoo.com/group/Olympus-Documentation
tOM Trottier,   ICQ:57647974    http://abacurial.com
        758 Albert St, Ottawa ON Canada K1R 7V8 
        +1 613 860-6633 fax:231-6115 N45.412 W75.714
"The moment one gives close attention to anything, 
even a blade of grass, it becomes a mysterious, 
awesome, indescribably magnificent world in itself -- 
Henry Miller, 1891-1980


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