Don't know specifically about Portra, but most negative films are very
forgiving about over exposure. Up to 3 stops is often no problem at all.
If it were me, I'd take a shot at regular processing. Of course, there
are always more pics of my granddaughters than you can shake a stick at,
so losing a few makes no real difference!
Moose
Chuck Norcutt wrote:
<big snip>
If it weren't for the very indirect lighting from the
bounce I think the exposures would be off by about 5 stops. My guess is
that the bounce is probably taking off 2-3 stops so that the actual
overexposure is probably 2-3 stops.
Anybody got any guesstimates and/or suggestions for how this film should
be processed and by whom?
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