I don't buy this premise. The D100 is rock solid. What about is it that
makes you believe that it would not work in a pro environment?
Used it last night at the kid's Chorus concert. Sure felt solid to me. I
was a good 40 feet from the stage, using the 28-200 (42-300) and SB80.
Worked flawlessly.
Not exactly art, but special to me.
Tom
From: "AG Schnozz" <agschnozz@xxxxxxxxx>
> For professional use, I'm less inclined to go for a D100, S2,
> P*ntax, S*gma, etc., as the body isn't designed for no-excuses
> photography. The Olympus E-1 actually is. The weatherproofing
> and metal shell are huge sell-points that make the system much
> more competitive with the pro-level offerings from N*kon and
> C*non. I will admit, the E-1 is growing on me. But will the
> siren song of the big "N" finally grasp me in her reach and drag
> me under?
>
> AG-Schnozz
>
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