On Dec 18, 2003, at 4:29 PM, Tom Scales wrote:
I don't buy this premise. The D100 is rock solid. What about is it
that
makes you believe that it would not work in a pro environment?
Used it last night at the kid's Chorus concert. Sure felt solid to
me. I
was a good 40 feet from the stage, using the 28-200 (42-300) and SB80.
Worked flawlessly.
I agree. I was just in New Mexico at the Bosque del Apache bird refuge.
The D100 plus a vibration reduction lens was amazing. Hand held panned
flying bird shots in dim light. Nirvana. What is pro is not whether the
body is plastic or metal, but being able to put the lens on the front
that you need for your project.
Winsor
Long Beach, California
USA
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