fwiw, a local pro tells me he's switched over to Rebel digital because the
absence of artifacts. That, and he can afford take three with him when he
shoots (mostly in swamps) -- one "shooter", one back-up, one new-in-the-box
in the trunk. When he dunks his "shooter", he just switches to the back-up
and throws the first one away!
> I don't think that the construction of the Rebel is that lousy, definitely
not up to par with a pro camera...
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