Joel Wilcox wrote:
>On 3/10/06, Moose <olymoose@xxxxxxxxxxxxxxx> wrote:
>>Joel's full pixel samples of his daughter are more like what I saw. Not
>>awful, and not a problem at all reduced for the web, but significantly
>>limiting the cropping and large print options.
>I ran the printer this morning and made prints of the samples I posted
>yesterday, with variations. Yesterday's samples are crops of the
>original ISO 200 and 800 RAW files. I'm not sure what percentage was
>actually cropped, but I would estimate that the printed portion of the
>5x7s are the equivalents of letter-size prints had I not cropped.
More like 6x8.
>I discovered two things by doing this:
>1) Not only are the ISO 800 captures "not awful," as Moose says, they
>are potentially very good -- provided you do due diligence by getting
>exposures right and possiblity shooting RAW, etc.
>A little post-process NR is OK.
Weeellll, that depends. See examples below.
>We're in something of a similar circumstance with digital cameras,
>it's just that we use our monitors as magnifying glasses in addition
>to normal viewing. My beef is when too much magnification starts to
>be considered "normal."
Well, I don't know what normal is in this context. When viewing the
whole image, I use whatever % fills the viewing area. For 4000 dpi scans
of 35mm, that is 12.5%, 25% for the 300D, 50% for the S110. On the other
hand, I know from experience that I need to view at higher levels to see
what a print will show.
>I don't mind viewing at 100% pixels to sharpen, but at 100% nothing
>looks very good to me, no matter what the source.
I don't know what's up with your equipment for viewing, but I have many
images from my three digicams that look good to me at 100%. Here are
three from the F10, a tiny sensor P&S. In all cases the full frame shot
at about the equivalent of 25% precedes the 100% crop
And I don't think this from the 300D is half bad at 100%. Notice iso
Any camera that produces images that can't be viewed and look decent at
100% is giving away a lot to those that can.
>Even after sharpening I like to shift everything down to 50% to look at
>That's where my monitors seem to do best.
Again, I don't understand. There is a great deal of detail I can see at
100% that I can't see at 50%. It's sort of like buying a 5 mp camera,
then using it at 2.5 mp. To make comparisons easier, I've stacked 100%
crops of your samples on top of each other
The iso 200 is really nice. 800 is pretty noisy, but retains just about
all the detail in the eyebrows. The NR800 simply loses lots of detail
compared to 200. Now none of that matters a bit if you like a bit of
noise and/or if you only post on the web and print full images or modest
crops. With the image at hand, the iso 200 image would probably look
nice cropped to a head only shot at 8x10. The 800 would not. If that
limitation doesn't bother you, everything is fine. What some others like
me are saying is that there are other DSLRs in the same price range, or
even cheaper, that will give comparable results at 800 to what you get
>Why is 100% correct for viewing? Why not 200% or 400%?
It isn't always, perhaps even seldom. But why shouldn't a camera produce
an image that is good at it's native resolution? Clearly, higher mags
aren't desirable for most uses because they introduce artifacts from the
interpolation process. But lower ones don't show all the detail in the
>Does anyone actually print at 100% pixels?
Yes, I'm pretty sure you do. The 2560x1920 image from an E-1 is 7.8x10.7
in. at 240 dpi. At 10x14, it is 180 dpi. In any case, your printer
driver is upsampling from the source image to print at it's actual drops
on paper dpi.
If you mean do they print at the equivalent dpi on paper of the pixel
pitch on a computer screen, the answer is still yes. A full E-1 frame at
the 96 dpi of my screen is 19.5x26.7 in. So a slightly cropped E-1 frame
printed at the 12x16 size many of our printers can do starts to get
there pretty fast. Folks like Tom S. are already well past that and Bill
B. is on his way to a bigger format printer.
>Is this a target for sensor designers?
I think so. Otherwise all they'd have to do is put in a half rez sensor
and upsample it to get the mps for marketing, knowing nobody would ever
use more than 50% of the rated resolution.
>Just as we went through this about 10 years ago with inkjet printers,
And yet, whatever the advertised dpis of current inkjets, they make MUCH
better images that 10 years ago. They must be doing something right.
>I think we're experiencing a little bit of silliness about noise.
Depends on what one is doing with the image. What's good for one may be
insufficient for the uses to which another may put his/her images.
>I'm not putting this out there to discredit anybody or their decisions.
Nor am I trying to discredit yours. Just trying to point out what is
true for some others, where pixel peeping may not be the equivalent of
In fact, I'm really pleased that you and many others like your E-1s and
have induced others to buy more. That increases the likelihood that Oly
will build the camera I want one of these days.
Other than a couple of what one hopes are fixable firmware shortcomings,
the E-330 looks real close.
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