I could be wrong, and probably am, but I don't think you can balance
interior darkness and window light without flash. With apologies to
AG, I don't think film would be much, if any, improvement over
digital. There's just too much difference between room interior
shadows and bright window light. If you can't take the gear inside to
do serious architectural shooting, the best results are likely to be
had on cloudy days when the blowout won't seem as bad, or by simply
not trying to balance bright window light, and letting it go. Some
problems, I fear, do not have solutions that don't involve a lot of
gear and time. <g>
--Bob Whitmire
www.bwp33.com
On Apr 23, 2009, at 1:11 AM, SwissPace wrote:
> Maybe as AG has been posting film has the latitude to suit this job
> better, and I should leave my digital behind, but then how would I
> take
> such a shot, spot meter on the window and then the darkest part?
--
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