I would, only that I am bored and tired of this stuff - and they will
eventually make everyone feel sad.
I'm more (and learned it from this list) towards what Bob Whitmire wrote
some months ago at Zone 10, I made a .pdf of that article.
OTOH, the mainstream of our school of photography is biased towards the
shocking. And I am an outsider of our mainstream school.
The Stylus seems to be just the right instrument, I must travel light
through these situations.
And last, I should be able to split into a precise clinician and a
precise photographer.
This was an easy situation, I had plenty of time and the patient was too
willing to show himself.
Not every situation allows me such a splitting, which comes (as Moose
test showed me) with an après-coup: ordinarily I would have forgotten
about this piece of professional work if I were not *struck by the mood*
and with a Stylus in my hand, reminding me where and what was I doing at
11 a.m.
How? He smashed his head against a thick ( 6 mm ) iron wired reinforced
glass, a 20 x 20 cm part of a larger window.
Several pieces of 20 x 20 were broken, all of them looked like the
surface where Moose prepares his food.
I was about to picture the window too, but should solve main the
situation asap.
Why? I know why ... but it's a long story to type ...
Fernando.
Andrew Fildes wrote:
> Now that's more like it. Self-inflicted? How?
> Startling stuff - do more. Lots more.
> Andrew Fildes
> afildes@xxxxxxxxxxxxx
>
>
>
> On 23/05/2009, at 12:29 PM, Fernando Gonzalez Gentile wrote:
>
>
>> Sorry Moose, but my free-associative thinking is rather biased today,
>> and leads me to a somehow exotic seen I witnessed today.
>> I'll put a link to it at the end, but be warned: it's not the kind of
>> beautiful pictures I've been learning to make at this list.
>>
>>
>>
>> small
>> http://www.flickr.com/photos/fernando_gonzalez_gentile/3554919479/
>> 1280
>> http://www.flickr.com/photos/fernando_gonzalez_gentile/3554919479/
>> sizes/o/
>>
>> Fernando.
>>
--
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