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Re: [OM] Head Pounding Moment

Subject: Re: [OM] Head Pounding Moment
From: Charles Geilfuss <charles.geilfuss@xxxxxxxxx>
Date: Wed, 6 Oct 2010 14:44:36 -0400
  The veil can very greatly Siddiq and most in my experience are not this
long. A little bit of history here:


http://www.weddingsofgrace.com/archives/AutumnWin2007/features/trappings/veilhistory.html

Charlie

On Wed, Oct 6, 2010 at 2:36 PM, siddiq@xxxxxxx <siddiq@xxxxxxx> wrote:

> That’s the veil, hanging from the ceiling? that big?!! granted i haven’t
> attended any american/western weddings, and i won’t knock what I don’t know,
> but i thought the veil’s just for the face? Can you explain how it’s
> supposed to work? or the reason for the train?
>
> On Oct 6, 2010, at 11:31 AM, Chuck Norcutt wrote:
>
> > The wedding dress and veil in question shot by me before the wedding.
> > OM5D with Zuiko 24/2.8
> >
> > <
> http://www.chucknorcutt.com/Wedding%20dress%20&%20veil/img_3172e%20profile_adoramalustre.htm
> >
> >
> >
> > On 10/6/2010 12:49 PM, Ken Norton wrote:
> >>>
> >>> I haven't seen any of the in-church photos but I've seen the outdoor
> >>> stuff which was OK.  Except the mother was very distraught in that
> >>> certain key photos she had very explicitly requested were never taken.
> >>> In particular, there isn't a single photo that shows the bride's full
> >>> (and lengthy) train.
> >>>
> >>
> >> What you are describing about the flash usage is EXACTLY what I'm seeing
> >> this year. But come to think of it... It's also exactly what I've been
> doing
> >> quite a bit of this year too. I like the look, but it has issues--so
> many
> >> issues in fact, that it forces post-production editing on the photos and
> >> frequently it, ahem, encourages converting to monochrome.
> >>
> >> As to missing the bride's train... I'm screwed up on that very thing one
> >> time by failing to get one full-length shot. Big mistake. You only make
> that
> >> one once.
> >>
> >> There are two methods I've seen with multiple shooters. One method is
> where
> >> each shooter is getting everything, the other method is where one
> shooter
> >> gets the key shots and the second shooter gets the secondary angles and
> >> stuff the main shooter is too busy to get. I would never encourage the
> first
> >> method because you either get double of everything or you miss something
> >> because you are expecting the other shooter to have gotten it.
> >>
> >> AG
> > --
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