My comment about the toe and shoulder is that the straightline section
appears to be pretty short and the curves on either side of it start
out gentle but get progressively tighter in a manner that gives the
image a lot of punch, but yet maintains tonalities and details in the
extremes. It's as though there is about three stops of dynamic range
stuffed into one stop.
The blue shadows are very E100VS like. Kinda nasty, but it seems to
respond well to just pulling back the saturation on the blues. As
Moose says, profile.
AG
--
Ken Norton
ken@xxxxxxxxxxx
http://www.zone-10.com
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