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Re: [OM] Good Grief, Irene! & digiphotography

Subject: Re: [OM] Good Grief, Irene! & digiphotography
From: Moose <olymoose@xxxxxxxxx>
Date: Thu, 01 Sep 2011 22:12:58 -0700
On 8/30/2011 8:32 AM, Bob Whitmire wrote:
> ...
>
> Ah, well, I've had my share of good breaker pictures. I guess Irene was a 
> bust in more ways than one. Or I was.
>
> Sigh. Watch for a future post on a future blog about proper surf 
> photography.<g>

You indeed have your share, including some great ones. Glad I have a few of 
your prints, to remind me how much finer 
they are than the web can show. I was just looking at your site and ran off to 
look at the intro image, "Lightwave", in 
person. It's so crude on the web.

I was in a shop in Ft. Bragg, CA a bit ago where they had cards and prints by a 
local who does much of what you do, 
local stuff. His "Green Wave" reminded me of your "Greenwall". Although not 
nearly as strong a composition, he got great 
color and lots of energy.

But this one struck me as rather spectacularly different from most breaking 
wave images. Very unusual! 
<http://jonkleinphoto.com/waves/fan-shaped-wave.html>

The guy has some good stuff. What you can't tell on his site is that the 
finished prints, while OK, just don't measure 
up to your beautifully crafted ones.

I was reminded again of the difference by your more recent post:

On 8/31/2011 10:14 AM, Bob Whitmire wrote:
> That's true, to a point. I think digital photography is best, or most 
> happily, undertaken by people with tendencies toward split personalities. 
> There's a need for an eye, an ability to see the patterns, the compositions, 
> the possibilities, and to recognize the much maligned decisive moment. But in 
> order to bring all of that to a satisfactory image, the artist must surrender 
> some of most of his sensibilities to the technician, the theoretical and 
> optical physicist. In the wet darkroom, the artist gave way to the chemist 
> and the optical specialist, but that's changed with photoshop and digital 
> printing.
>
> You can have a complete mastery of the theory, and the application of 
> photoshop, but your images can be horrid. Or, conversely, you can have the 
> eye of a Leonardo and the technical ability of a bag of hammers, and be 
> forever frustrated by your inability to put your vision onto a print.

An excellent summary!

Moose
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