On 2/22/2013 7:41 AM, Bob Whitmire wrote:
> I called it matrix, but the exif calls it multi-segment. At any rate, this is
> straight metering, No compensation at all. Not to say I haven't done some
> post in Lightroom, but it's essentially as metered by the camera. I read
> somewhere that some wag thought Nikon had really screwed up with the D800
> matrix, but that hasn't been my experience. I'm awed by what it seems capable
> of. There are other shots with wide Dynamic Range that the meter doesn't seem
> to breath hard while handling. Again, post is necessary for tweaking, but the
> essential exposure is there. I think I recall reading in Thom Hogan's review
> of the D800 that it's capable of a little more than 11 stops of dynamic range
> at base ISO of 100.
Can't complain about how the E-M5 handles the same thing. Straight into the
sun.
<http://zone-10.com/tope2/main.php?g2_itemId=2805>
Catching that famous little flash,
<http://zone-10.com/tope2/main.php?g2_itemId=2815>
Or the delicate aftermath. <http://zone-10.com/tope2/main.php?g2_itemId=2821>
I know sunrises/sets are cliched, but darn they are pretty! I used this one to
see how the E-M5 would handle it.
<http://zone-10.com/tope2/main.php?g2_itemId=2804>
Most of the images in this little gallery are just as they came out of ACR
defaults for the camera. Some vignetting
corrected on a couple, a little adjustment to a couple, but all exposures as
the camera did it at -0.3 EV, but one.
One is at -1 EV. I think I must have done that to darken the water, but the one
next to it at -0.3 would have done as well.
I like the colors, too.
Wide Exposure Moose
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What if the Hokey Pokey *IS* what it's all about?
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