In the film age, different films were created for different purpose. Velvia
for landscape, Astia for portrait and Provia for general purpose/products...
I believe they have went through lots of test by color experts to get
those results.
These became a common language for old film shooters. If you like a
film's color, you would want it to reproduce the same in digital.
There are new languages like Canon, they have "Standard, Portrait,
Landscape, Neutral, Faithful and Monochrome". Unfortunately, they can
never produce the look that I wanted so I have to create a profile that can
simulate one of my favorite film Velvia 50.
C.H.Ling
----- Original Message -----
From: "Chuck Norcutt" <chucknorcutt@xxxxxxxxxxxxxxxx>
But I always have to ask myself why I would want any of my digital images
to look like some particular type of film. I don't.
Chuck Norcutt
On 6/17/2014 8:33 PM, Chris Trask wrote:
I visited the local pro camera shop this afternoon, and the resident
B&W expert was there behind the counter. Since there were very few
customers, I got to speak with him at length. I described what I had
been doing, what the results were, and what my expectations were.
He told me that the nature of digital B&W photography is such that
most, if not all digital cameras have similar problems with B&W, that
they will not process filters (either glass or internal emulations)
properly, and that the results are far from what we experience with
B&W film. That, he said repeatedly, is the nature of the
technology.
As I described the lack of darkening sky when going through yellow,
then orange, and finally red filters he just nodded. Seems that the
problem is widely known and that there is little that can be done to
overcome it.
He did recommend a B&W post processing software by the name of
"Silver Affects Pro". I'm going to look into that tomorrow when I
have a WiFi connection.
Chris
When the going gets weird, the weird turn pro - Hunter S. Thompson
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