Ah, yes, originally the work of the great Arnold Brillhart. I suspect that
like other mouthpieces of the era, they are worth a good bit more than their
original cost today.
Thanks to my experience as a player and a repairman in my younger days, I
suspect that in your time, to get a special barrel would require q special
order to the factory and a long waiting period with the addition of large
amounts of cash, an in those days I don['t think more that a couple of
lengths were readily available. OTOH, a skilled repairman could easily
shorten a longer one with a lathe and patience
-----Original Message-----
From: Jim Nichols
Sent: Friday, August 28, 2015 11:16 AM
To: Olympus Camera Discussion
Subject: Re: [OM] IMG: My friend the clarinetist
Thanks, Bill. I grew up in the days of Brillharte mouthpieces and Tonex
pads. That made a third-hand clarinet work for me.
Jim Nichols
Tullahoma, TN USA
On 8/28/2015 1:40 AM, Bill Pearce wrote:
To answer jim, I never ad more than two mouthpieces,three barrels and a
box of reeds, but that was plenty for me. But remember all clarinetists
are neurotics.
-----Original Message----- From: Peter Klein
Sent: Thursday, August 27, 2015 10:08 PM
To: lug ; olympus@xxxxxxxxxxxxxxxxx ; leicareflex@xxxxxxxxxxxxx
Subject: [OM] IMG: My friend the clarinetist
Laurie, talking to Carl:
<https://www.flickr.com/photos/24844563@N04/20318923483/in/dateposted-public/>
Clarinet paraphernalia:
<https://www.flickr.com/photos/24844563@N04/20913701886/in/dateposted-public/>
Leica MM (v.1) and 50/1.5 Nokton.
--Peter
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