Aha, I have a 4/16-35mm for some month now. I like the quality of the
images, partly due to the Sony camera's (sensors that is ;-).
I figured to buy it secondhand, use it for a while, maybe two years, and
then evaluate which focal length brought me my best pictures and shooting
fun. And then maybe buy a prime with that focal length, for some more
light. With the popularity of Sony mirrorless I presume I can sell it with
limited loss, if needed.
Until then, I'll help myself with some f2 Zuiko's (which are, at f2, quite
limited in terms of their sharpness area I think).
I'll collect a few images to give you an idea.
Good luck with your search.
Op wo 2 jan. 2019 om 19:21 schreef Wayne Shumaker <om3ti@xxxxxxxx>:
> Sometimes you just need a wide. Yes, stitching can be done...but not as
> fun.
>
> Here are some shots taken in Virgin Gorda with OM4Ti + 16mm fisheye and
> 21mm/2 (provia):
>
> https://www.dropbox.com/sh/3hwtuh0j3ajzvx3/AAAPPoXbLvkw33282XetltPya?dl=0
>
> The fisheye I found, if the horizon is centered, the distortion is not bad
> to look at. The OM 21/2 was one of my favorite lenses (along with 100mm/2
> and some others).
>
> Now I have two lenses for my A7 III: 24-105 and 70-300. I have used a
> Canon 16-35 in the past.
>
> Sony has an 11-24/4, 16-35/4 and 16-35/2.8 GM. There are other brands out
> there, as well as some primes. The 16-35/2.8 GM is $$$ at about $2100.
> There is a Zeiss Batis 18mm/2.8, Venus Optics Laowa 12mm/2.8 and 15/2...
>
> Ken Rockwell also points out that image stabilization is problematic with
> ultrawides, since it is impossible to do from center to edge.
>
> My question is what other's opinion would be for ultra wide?
>
> WayneS
>
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