Same here dear Moose - my remark had nothing to do with your talents nor your
experiments. So I’m sorry if you misconstrued my feedback.
Really sorry
Amities
Philippe
> Le 13 nov. 2019 à 00:08, Tina Manley <tmanley@xxxxxxxxx> a écrit :
>
> Goodness gracious! I didn't mean to demean your corrections! I always
> enjoy seeing what you can do with the photos I post. I don't always agree
> but I do agree enough to make it well worth my while to see what you
> suggest. The roll-over corrections are often a revelation to me about what
> is possible.
>
> Please continue to post!! I do mean C&C even if I don't always agree.
>
> Thanks!
>
> Tina
>
> On Tue, Nov 12, 2019 at 5:15 PM Moose <olymoose@xxxxxxxxx> wrote:
>
>> On 11/12/2019 9:06 AM, Philippe wrote:
>>> The thing is, as soon as you touch the noise, you have to address the
>> remainder.
>>
>> SIGH . . .
>>
>> This was not, as I tried to say, about improving the photo. It was solely
>> about how different NR tools work with various
>> kinds of subjects and noise.
>>
>> I personally am not a fan of grain and noise. They have a place, but it's
>> a very small place in my world. With DxO Prime
>> NR and NeatImage v8, the landscape of NR tools has changed fairly
>> recently. Now, with Topaz Denoise AI, the change is
>> even more dramatic.
>>
>> So, I'm interested in how they work for me. I recently posted a shot of an
>> Irish fairy illustrating how differently
>> three products worked on a portrait shot @ ISO 3200.
>>
>> The Berlin Wall doesn't loom large in my legend. I don't find pictures of
>> it or of its fall particularly interesting;
>> they don't engage me emotionally. So when I saw this one, what I saw was
>> the unusual noise pattern, I was slightly
>> curious as to what had caused the noise gradient in the sky and more
>> curious how NR tools would work on it.
>>
>> I will undoubtedly continue to play with NR tools. If folks don't want to
>> see what I find, I'll stop going to the
>> trouble of posting what I find.
>>
>>>> Le 12 nov. 2019 à 14:03, Tina Manley <tmanley@xxxxxxxxx> a écrit :
>>>>
>>>> I prefer the grainy version, too. I do have Neat Image and Topaz
>> DeNoise
>>>> and Nik's noise remover but I don't use them much. If I do, I fade the
>>>> effect by about 75%. I just like grain with film images.
>>>>
>>>> The blue tint to the photo is air pollution which was terrible in
>> Berlin in
>>>> 1989. That's really what it looked like.
>>
>> As above, and before, I'm not trying to improve your photo. Not that I'm
>> not likely to make future suggestions that I
>> think might improve some of the photos you post, from my perspective. You
>> do, after all, always sign off with "C&C
>> greatly appreciated."
>>
>> But in this case, I don't see anything that would "improve" it to the
>> point where it was interesting to me, as a
>> subject, rather than as a source for a technical exercise.
>>
>> Sorry, Philippe, but no, I don't have to address the remainder. :-)
>>
>> Silence is Moose
>>
>> --
>> What if the Hokey Pokey *IS* what it's all about?
>> --
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>>
>
> --
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> http://www.pbase.com/tinamanley
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> <https://www.alamy.com/portfolio/649596.html>*
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> _________________________________________________________________
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