My thoughts (and opinions):
Equipment
Take the 35-80 for the paddock and pit areas. The 75-150 may be useful if
you can get closed enough to the track. While the 135 is covered within the
range of your 75-150, it offers the advantage of being a faster lens, and
opens up the option to use a 2x to make it a 270/5.6, and take the 500 in
case you really do have to shoot from the grandstand. Forget the monopod
unless you need a weapon. In the stands it will be in the way and it
inhibits panning.
I usually use 100ASA film, but on a cloudy day with a long slow lens and a
2x some 200 or even 400 speed film can really make a difference in your
shooting speed. If weight becomes an issue something like a stylus or an
XA can be carried for use in the pit/paddock area, a lightweight alternative
to the 35-80. Take spare batteries, lots of film, and a backup body. A
winder or motor drive is nice, but not absolutely necessary.
Technique
Boils down to the 3 P's, pre-focus, pan, and pray. Have fun.
Daryl Hurley
Topeka, KS
----- Original Message -----
From: "Michael Virsinger" <mikev@xxxxxxxxxxxxxxxxxxxx>
To: "Olympus Mailing List" <olympus@xxxxxxxxxxxxxxx>
Sent: Tuesday, May 01, 2001 9:29 PM
Subject: [OM] Race Car Photography
> This weekend I will be attending my first pro auto race. the Bosch Spark
> Plug Grand Prix CART race at Nazareth Speedway
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