TAKO. INTERNET SEIT 1996.
Olympus-OM

Re: [OM] Olympus Digital SLR Naming Scheme

Subject: Re: [OM] Olympus Digital SLR Naming Scheme
From: Chuck Norcutt <chucknorcutt@xxxxxxxxxxxxxxxx>
Date: Tue, 22 Sep 2009 08:10:59 -0400
I don't know that you'd find an official description anywhere but I 
think it's fairly clear that, just like Canon, single digit bodies are 
professional or pro-sumer grade, double digit bodies are pro-sumer grade 
and triple digit bodies are consumer grade.  Nikon had seemingly been 
following a similar numbering system but has recently announced bodies 
with model numbers that don't seem to fit the pattern.

But I don't think the model numbering system has anything to do with 
image quality.  Rather, it's build quality and features.  An inexpensive 
body (like the E-300) might have a mirror arrangement instead of a 
pentaprism.  A more expensive body might have a pentaprism but it might 
be small.  A pro body might have a much larger pentaprism and better 
viewfinder optics giving a larger and brighter view.  A consumer body is 
likely reinforced plastic whereas the pro body probably has a 
lightweight metal alloy subframe with plastic coatings or cover panels. 
  Other differences can be found in the electronics.  A consumer body 
might have a image single processor.  A pro body might have 4 processors 
each handling different parts of the image in parallel for faster 
shooting speeds.  Finally, image quality will change with the technology 
and not so much the model numbering scheme.  I've never done the 
comparison but I suspect an E-620 (5 years later) produces a better and 
less noisy image than an E-1.  But you can probably take an E-1 into the 
Kalahari desert and expect it to survive the trip.

Chuck Norcutt


Keith Quarles wrote:
> Does anyone have a brief description (or link to one) of Olympus'
> naming scheme logic for digital SLRs?  That is, is there a standard
> distinction between single digit (E-3), double digit (E-30), triple
> digit (E-620, E-520)?
> 
> Thanks for your help.
> 
> 
> Keith Quarles
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