Wow. I'd say the 40/2 out of focus effect is the smoothest I've ever seen. I
thought the 85/2 was just about perfect, (on a film camera) but those shots of
yours show the 40/2 may even be better.
George S.
chling@xxxxxxxxxxxxx writes:
> The 40/2 is extremely good, comparable to 50/3.5 at close distance. Of
> course it cannot focusing as close as the 50/3.5 but it gives around 1:2.5
> (in 35mm system), a not bad performance, infinity is also excellent as well.
> It supprise me since there is no close focus correction built-in. The OOF
> effect is also perfect, I will try to post some more with smaller apertures
> later.
>
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