Joel wrote:
<snip>
There is Elitechrome or Fuji's Astia or Sensia II.
<snip>
Hi Joel.
Aargh! So many films, so little time (and money..)!
I haven't tried Elitechrome, and I'm pretty new to Fuji having had
saturation issues in the past..!
I've also nipped some colour out of Velvia scans with some success, but my
experiments last year make me think that careful shooting and using it in
specific situations (think dull, dreich Scottish winters, maybe) are in my
future.
I have ten rolls of KR25 in the freezer. Yosemite sounds great, I'm probably
going to use some of mine soon in the snow-covered Scottish mountains.
I played about with the pictures that started this thread and got reasonable
results. Even a quick Auto Levels produced decent starting points...
Experimented with concert photography at a Carlos Nunez concert on Saturday.
Two OM1n bodies, an 85 and a 135/2.8. Shot Kodachrome 64 which I'll post off
today, and some out-of-date TMax 400, which I'll develop myself. We were
right at the back of the Glasgow Royal Concert hall, the 85 took in almost
the whole stage width, the 135 just the central area. Any more gear would
have got in the way...
Donald.
Donald Neil MacDonald, BA DipLIS
www.bigmac1st.freeserve.co.uk
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